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AudioBus 3 gets compatible with it’s own Remote app, brings some more features, and fixes loads of stuff too

One of those things that maybe you were wondering why AB3 didn’t support Remote, well now it’s fixed, and what’s more, there’s more too. Here’s all that’s new in the Audiobus world …

  • AUDIOBUS 3 NOW SUPPORTS AUDIOBUS REMOTE. Use Audiobus Remote to improve your live performance workflow. Audiobus Remote makes it possible to switch seamlessly between Audio Unit Extension instances and ordinary apps. Be sure to update to the latest version of Audiobus Remote also.
  • Pressing Stop button stops hanging MIDI notes in connected MIDI apps
  • Mixer: If solo is activated, mute is disabled.
  • Added a preset share button right beside load, save and rename.
  • Several performance optimizations

Fixed:

  • Fixed connection issues with the iConnectAudio4+ and the Apogee Quartet
  • Fixed several crashes
  • Fixed latency issues when using output ports
  • Background didn’t work on iPad 4 so we disabled background launching on iPad 4.
  • Fixed errors when restoring the state.
  • Fixed errors when quickly adding and removing ports
  • Fixed issues with displaying Audio Unit Extensions
  • Fixed issues when saving Audiobus 2 presets.
  • Fixed visual artefacts
  • It was not possible to add more than two instances of an Audio Unit Extensions to a MIDI output. This is fixed now.
  • Fixed crackling when switching between apps.

As you’d expect, in the remote app there are updates too. Here’s what’s new in Audiobus Remote.

  • AUDIOBUS REMOTE IS NOW COMPATIBLE WITH AUDIOBUS 3! To connect Audiobus Remote and Audiobus 3, please update to the lastest version of Audiobus 3.
  • Audiobus Remote shows Audio Unit Extensions like ordinary apps.
  • Use Audiobus Remote to switch seamlessly between Apps and Audio Unit Extension instances hosted in Audiobus 3

Audiobus 3 on the app store:


 

Audiobus remote on the app store:

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LayR – Multi Timbral Synthesizer 1.0.4 brings lots of features and fixes too

Whilst I haven’t tried out LayR as yet, it describes itself as a massively polyphonic, multi-timbral synthesizer for iPad and iPhone, which sounds pretty awesome doesn’t it. It’s optimized for modern 64 bit devices delivering up to 256 voices of rich, multi-layered and textured sounds. So all in all worth a look. In version 1.0.4 there are a lot of new things and a lot of fixes too. Here’s all that’s new:

Features

  • Cinematic: A full new bank of wonderfully evocative Performance presets by Brice.
  • Ableton Link for arpeggiator. Link can be enabled/disabled in settings.
  • MIDI Output port: Enabled with an option in settings, defaults to off.
  • MIDI Virtual Destination Chooser: To send MIDI to other apps. Only available when the MIDI out port is enabled.
  • MIDI Controller Templates: Tap the new MIDI icon at the top of the Layer Editor view.
  • Sends MIDI controller from assigned dials when MIDI Out is enabled, (on the Instrument channel).
  • “Pickup” Mode for MIDI controllers. Option in settings.
  • Channel Pressure added to the list of assignable MIDI controllers.
  • AudioBus 3: Audio and MIDI.
  • Settings has an option to stop Master Tempo being set when Performances are loaded.
  • Manually loading a performance or instrument makes that bank current for MIDI program select.
  • Group and assign on iPad is now high enough to accommodate 8 rows instead of 7
  • New Shortcut: Double tapping on a dot in the link/assign view selects or deselects the entire column.
  • New Shortcut: In Preset Selector Views, long press on bank names to rename banks.

Bug Fixes

  • Fixed: Crash when starting mono-legato voices in 64 voice mode.
  • Fixed: Potential crash when rapidly changing presets via MIDI Program Change.
  • Fixed: Preset Files stored on iCloud Drive can now be loaded by tapping on them or selecting “Open In…”
  • Fixed: Layer volume sliders now show MIDI icon when assigned to a MIDI controller.
  • Fixed: MIDI controller assignations no longer seem to disappear after deleting another instrument.
  • Fixed: Possible crash caused by corrupt UI after launching from an IAA host.
  • Fixed: Layer strip name label resizes font to t width.
  • Fixed: MIDI Assign view rendered incorrectly if a layer has a really long name.
  • Fixed: Tempo was not always correctly set when loading a performance.
  • Fixed: Arpeggiator stops if IAA host doesn’t provide beat clock.
  • Fixed: It’s now possible to select LayR as a MIDI destination from inside other apps.
  • Fixed: Issue with jittery response with dials and sliders when moving very slowly.
  • Fixed an envelope bug that could cause loud clicks with some settings.
  • Improved voice stealing in attempt to reduce clicks when max polyphony is exceeded.
  • Changed the wording of the “Import” button to “Append” in the Load Performance view.

LayR on the app store:

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Pulse Code Inc brings updates to their Modular Synthesis and Rhythm Studio apps

It’s been a long while for Pulse Code Inc to update these apps. Modular hasn’t seen an app update since January 2015 and Rhythm Studio is the same. So what’s new in these updates? Well not a huge amount, but it’s good to see.

Both apps get 64 bit updates, and are now both Audiobus 3 compliant as well. So whilst these aren’t huge updates they’re worth having. What’s more Rhythm Studio is on sale too and down from $4.99 to $2.99.

Of course Modular Synthesis is free so no price drop there.

It’s good to see Pulse Code come up with updates, let’s hope that there’s more where these come from.

Modular Synthesis on the app store (free):

Rhythm Studio on the app store, down from $4.99 to $2.99:

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SynthScaper has arrived

Today Igor Vasiliev (creator of FieldScaper and SoundScaper) brings us another synth specifically for experiments and soundscapes, and I’m betting that this is going to be just as interesting in terms of sound design as his other apps.

Here’s what to expect from SynthScaper:

Synthesizer specially designed for creating and experiments with ambient soundscapes in wide range from noises to melodic instruments and everything in between.

You can construct melodic pads or atonal soundscapes from different kind of built-in or downloaded samples by using all power of multi-layered oscillators, chains of filters and effects, envelope generators and low frequency oscillators. Or just use predefined scenes and creating your own scenes from library of oscillators presets.

Very flexible settings of each module give you a great opportunity for creating unique and colorful sounding from usual instruments or natural samples and adding automated changes and spatial effects for an endless variations. Different ways of assigning screen and MIDI keyboards to the oscillators provide very advanced features to control the sound. The on-screen keyboard is adapted to create special effects and varying the continuous textures and drones.

Main features:

  • Three independent oscillators.
  • Three layers with own samples in each oscillator.
  • Six voices in each layer.
  • Six envelope generators.
  • Six low frequency oscillators.
  • Separate arpeggiator for each oscillator.
  • General processing of level, balance, LPF, HPF for each layer.
  • Three additional slots for filters and effects after each oscillator.
  • Set of different kind of filters and effect modules.
  • Spatial mixer with two different sound space.
  • Screen keyboard adapted for continuous drones and soundscapes.
  • Predefined set of keyboard scales and custom scales.
  • Full screen, double and split features for screen keyboard.
  • Options of screen keyboard for pitch, continuous, modify, velocity.
  • Supports for two virtual and two MIDI keyboards at the same time.
  • Flexible assigning keyboards and controls to the oscillators.
  • Two main effects controls can combine several parameters.
  • Uploading samples thru Dropbox, Web access, clipboard.
  • Auto and manual tuning of samples with frequency analyzer.
  • Set of predefined and ready-to-use scenes and presets.
  • Built-in library of samples of instruments, synths, noises, etc.
  • Detailed application description.
  • Inter-App audio compatible (with transport and BPM controls).
  • Supports Audiobus with “State Saving” feature.

SynthScaper will be constantly developed and next version will have even more sounds, effects and features.

Requirements:

Recommended at least iPhone 6 / iPad Mini 4 / iPad Air 2 and higher.

You can find more details about SynthScaper on the website:

http://motion-soundscape.blogspot.com

SynthScaper is available on the app store at the special launch price of $9.99:

 

Preview video:

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Audio Damage adds to their rapidly growing portfolio of iOS apps with Dubstation 2

So far Audio Damage have brought Rough Rider 2, Grind Distortion, and Eos 2, and now add Dubstation 2 to that list. To be honest I’m glad to see it growing so quickly as they’re all high quality apps.

Here’s what you can expect in Dubstation 2:

The original dub delay effect, Dubstation has been a go-to effect in the production toolbox for over a decade and a half with good reason. Now available on iOS, this 1:1 code-identical port of the desktop version of Dubstation brings this classic effect to the mobile production studio.

Easy to use and understand, Dubstation works just like a hardware delay pedal. True stereo operation and a nice saturated feedback path provide an instant-classic delay effect that has been used in thousands of commercial tracks.

Features

  • Tempo-synchronized or millisecond timing.
  • True stereo dual time mode, single time mode, or ping-pong.
  • EQ and saturation control on the feedback path, for tonal control.
  • LFO to delay time, for chorus and tape effects.
  • Tempo-synced stereo looping (“infinite mode”) with sound-on-sound and reverse.
  • Heavily optimized for extremely low CPU usage. Use as many as you want, even on an older device.
  • Factory and user presets that can be copied to and from the desktop version.
  • Audio samples and manual available at the Audio Damage website.

Dubstation 2 is available on the app store for $4.49:

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Stereo Phaser AUv3 arrives

From the developer who brought us Jack the Beatmaker and other apps with minimalist design comes a new FX app simply entitled Stereo Phaser. I guess you could say that it does what it says it’s going to do.

That is nice phaser effect that can run in stereo mode. The app is Audio Unit AUv3.
In stereo mode the signal is split and run through 2 phaser effects with different frequency settings but same rate, depth and feedback that are shifted in stereo space with the same rate(same as the phasers’)

The app is an Audio Unit Effect AUV3 and can be used inside GarageBand or other AU host apps as an effect plug-in. Stereo Phaser can also run as a stand alone app adding effect to the audio input so you can play your guitar, bass or synth directly through the app if you have the connector to do so.

Stereo Phaser controls:

  • Rate – that is the phaser speed
  • Depth – phaser depth
  • Feedback – effect feedback
  • Stereo – stereo spread

Stereo Phaser is on the app store costing $0.99:

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Clawtar – Adaptive MIDI Controller 1.1 brings AB3 and more besides

Clawtar aims to be an interface that adapts to the player’s hand, which is a bold claim. In version 1.1 there’s some nice new features, including Audiobus. Here’s all of what’s new:

AUDIOBUS 3 SUPPORT

Clawtar is now can be used as an audio and MIDI input in Audiobus.

PIANO KEYBOARD GUIDE

Clawtar now shows a piano keyboard at the bottom of the screen. On this keyboard you can see the currently selected range and the notes you play. You can not play on this keyboard. It is a view-only element. If you like, you can hide this keyboard by going to Settings>Show Piano Keyboard Guide and turning the switch off.

OTHER IMPROVEMENTS

  • Calibration algorithm optimised. It now works much faster and smoother.
  • Settings menu was remade. It is now shown as a more regular dialog instead of a fullscreen view.
  • Minor UI improvements

Clawtar is on the app store for $3.99: