I just love this kind of thing. I haven’t tried it as yet, but I love the idea of putting the ‘play’ back into playing music. Here are all the details …
Seaquence — Make living music!
Seaquence is a unique music app that allows you to compose with collections of musical creatures. As they swim around your view, a spatialized mix emerges as only the closest can be heard, resulting in organic sounding compositions. Visually immersive and sonically dynamic, Seaquence is a unique and captivating audiovisual experience. You’ve never seen (or heard) anything like it!
Seaquence features a pro-level synthesizer and timing engine controlled by a fun and direct interface. Even composers who are brand new to synthesis will be able to unlock their synesthetic creativity. With a single in-app purchase, all synth features can be unlocked, revealing features like filters, effects, MIDI support, and more.
Share your creations with friends and discover what other people have made to get inspired!
- Fully featured polyphonic synthesis module with support of up to 5 note polyphony per voice
- Dynamic spatial mixer and stereo-panning engine
- A true multitouch experience, up to 11 simultaneous touch points supported.
- Unique swimming physics and swim behaviors — swim patterns are based on synth voice parameters
- Up to 8 voices can be heard simultaneously
- Precision, sample-based clock and sequencing engine
- Intuitive visual multitouch voice editor
- 16×16 multitouch sequencer matrix
- Chromatic scale editor
- Octave editor
- Amplitude envelope + length (ADSR+L) with curves and “hold”
- 5 oscillator waveform shapes: Square, Saw, Tri, Sin, Noise
- Social sharing features — Get a link to share your creations to friends
- Parent links are maintained — trace back the history of a composition, see who remixed your creations
Features of Seaquence Complete (available as a single In-App Purchase)
- State-variable filter with hi-pass, band-pass, lo-pass, and notch modes
- Filter attack envelope with resonance Q and curve editor.
- Note step editor: 1/1 to 1/64, including triplets
- Global transpose
- Portamento/Glide with curve editor
- Additional voice modes in addition to Polyphonic:
- Monophonic with sub-oscillator tuned to a 5th
- Unison with Detune
- Delay FX module with feedback and individual voice FX-Send
- MIDI Notes In/Out: Send/Receive MIDI notes from external gear, up to 16 MIDI channels, addressable per voice
- MIDI Ctrl In/Out: Send/Receive MIDI ctrl data from external gear, up to 16 MIDI channels, addressable per voice
- MIDI clock sync: master or slave
10% of all profits go towards supporting our community at Gray Area Foundation for the Arts, a San Francisco non-profit arts organization. More info at http://grayarea.org/.
As you can tell, the app itself is free, but with an IAP (in app purchase) for the ‘Complete‘ version.
Seaquence on the app store:
From the makers of Ruismaker, Ruismaker FM, and Phasemaker comes a new bass synth, Troublemaker! Apparently it is not a 303!
Here’s what to expect …
The legendary TB-303 has magical properties; it is filled to the brim with analog shimmer. Its output jack is a gateway to a parallel universe and when you twiddle the filter knobs an army of highly trained pixies chisel the square waves from freshly harvested unicorn souls. So if you want a TB-303, you should buy a TB-303. But if you’re after *that sound* Troublemaker will give you everything you need in spades.
Troublemaker sports a carefully crafted diode filter emulation and among the available oscillators are the typical raspy, nasal sawtooth and rubbery squarewave with its oddball shape and shifting pulsewidth. It also has the wow.
Troublemaker is fully Audio Unit (AUv3) compatible, so you can go wild running multiple instances in your favorite DAWs.
It also has:
- Ableton Link synchronization,
- MIDI CC mapping,
- Core Midi, Virtual Midi, Bluetooth Midi input,
- Audiobus support
- Exports MID and WAV files from the standalone sequencer
And unlike the TB-303, it can actually sound like a bass guitar 😉
Note: Troublemaker requires iPad 4/Mini 2/iPhone 5S/iPod Touch 6 or higher
Troublemaker is on the app store and costs $9.99:
A great update for this loop based sequencer, making it much more powerful and useful. Here’s what’s new:
- Loop recording from hardware and other apps
- Time stretching by Superpowered
- 40 scenes per set
- iPad Slide Over and Split View Support
- Audiobus I/O
- LinkKit 2.0
- Bug fixes and improvements
As I’m sure you already know I’m a bit of a fan of more ‘unusual’ apps for making music, and from a first look this app certainly looks like that.
I haven’t had a play with this as yet, but here are the details, you can make up your own mind.
Create and explore musical phrases and rhythmic patterns with GridComposer, an experimental musical sequencer. Arrange blocks on the grid to create notes and combine them to short phrases. Experiment with the timings and harmonies to explore variations of your composition. No musical knowledge is needed to start playing.
- Contains four build-in, polyphonic synthesizer presets.
- Notes are automatically assigned from a global musical scale.
- Save and load your compositions.
- Ability to adjust the musical scale, key and octave on the fly.
- Volume mixer to adjust your tracks.
- Advanced options to create custom scales.
- Set the tempo and individual trigger speed for each track.
- Ability to add delay and reverb effects.
- Output midi notes to your audio software via wifi.
GridComposer is universal and costs $1.99 on the app store now:
There’s plenty of apps around these day to do pretty much everything you could think of in musical terms. Sifting through them can be difficult, but this one caught my eye as it’s a bit different from the run of the mill.
Here’s the description of PicopicoSequencer …
Picopico Sequencer is a music sequencer that plays music in so-called picopico sounds. The Japanese word “picopico” refers to the primitive sounds such as sine wave. And in Picopico Sequencer you can “create” your own sound waves.
- Create music in MML
- It looks as though you can edit music with GUI, you can’t now.
- You can define at most 32 tracks per a song.
PicopicoSequencer is on the app store now and is free:
As you’ll remember from my post and video the other day we’ve been making good progress with the MIDI thing. I thought I’d share another video. This time I’m using the MIDI thing to control Korg’s iM1 app, which, like the Roland Sound Canvas is a nice multi-timbral app, so I can assign different instruments to different MIDI channels.
Whilst this is a bit more of an ambient piece it still shows that it’s pretty easy to use the MIDI thing to layer a track in real time.
I hope you like it.
It’s been quite a while since I mentioned the MIDI thing device that I’m part of. MIDI thing has been going through tests with a number of people for the last few weeks and we’ve got some very useful feedback on how it works and how people who’ve been testing it feel about it.
So I thought now would be a good time to show a little of what we’ve doing with MIDI thing, and, more importantly, what it actually does.
If you’ve not heard of MIDI thing before and this is all new to you then I’ll give you a little background. If you know all this already then feel to skip over it.
MIDI thing is a hardware project that I’ve been a part of with an old friend who’s done the design work. It came out of a bunch of ideas around open source hardware and software and making neat small mobile music devices which are ideally battery powered. That’s just what MIDI thing is.
There’s the battery now here’s what it does:
- Midi thing connects between the MIDI-out of a keyboard controller and the midi-in of a sound generator module or an iOS device that can run as a multi-timbral MIDI module.
- The MIDI thing has just one switch and this is for turning the power on and off. You control the looper by activating a “command” mode. Using command mode the note keys operate the various looper functions instead of producing sound.
- The “switch” to activate command mode is either a pre-selected note (e.g. unused note at the top or bottom of the keyboard) or control change (cc) knob/button; it is chosen when the unit is switched on.
- The loop can be 2, 4 or 8 bars long. It can run in 3⁄4 or 4/4 time. There is a tap tempo function or the looper will synchronise automatically to an external MIDI clock and respond to start, continue and stop commands. All midi information (on all 16 channels) can be recorded up to a maximum of 400 MIDI events.
- Each MIDI channel has a separate A/B recording zone which can be freely switched. Individual channel (and A/B) recordings can be quantised or deleted. A bi-colour led shows tempo and progress through the bars. A metronome (General Midi hi-hat) can be activated as MIDI-out on channel 10.
Hopefully that gives you a reasonable idea of what the thing does. Now we’ll have a look at it working. In this short video the MIDI thing is running multiple channels on Roland’s Sound Canvas app for iOS. The nice thing about the Sound Canvas app is that each sound can be assigned to an individual channel, just like a hardware module really, which wouldn’t be a surprise as the Sound Canvas was of course originally a hardware module.
What I’m doing here is laying down a series of tracks over multiple MIDI channels. Each of the channels has a different instrument assigned in the Sound Canvas.
Swapping between channels is actually very easy. All I do is use a pre-determined control key to change channel on the MIDI thing. I don’t need to fiddle with any controls I’m just using the CZ101. I’m going to do another video soon to show just how that works, so expect that soon.
Hopefully this gives a little idea of what the MIDI thing does, even with my terrible playing. There’ll be more soon.