0 comments on “ScreenSynth 1.1 makes this app one of the few to use force touch”

ScreenSynth 1.1 makes this app one of the few to use force touch

There are very few apps that actually do make use of force touch, which I’ve always wondered about. It always seemed like a kind of obvious thing to implement in my view. Anyway, ScreenSynth has done it in 1.1. Here’s all that’s new in this release:

  • Uses touch force to determine note velocity (instead of touch surface area).
  • All DX7 synthesizer algorithms are now faithfully implemented.
  • There are more default DX7 patches to choose from.
  • Touch latency is now even faster.

2 comments on “A first look at BLOCKS from Roli”

A first look at BLOCKS from Roli

Last week I spent a very pleasant couple of hours at Roli HQ in East London. You might remember Roli  as the maker of the expressive keyboard, the Seaboard, and more recently the Seaboard Rise. The technology behind these products is very interesting in its own right, but for the purposes of this piece I’m only really going to explore it from the perspective of their most recent product BLOCKS.

However, before we get into the detail of BLOCKS I think it’s worth understanding how Roli got here and the pieces that they’ve put together to make this happen. So I’m going to spend a little time in exploring some of the work that Roli have been involved in to get to BLOCKS. I hope you’ll find it useful.

Understanding the jigsaw, seeing the picture

Over the last few years Roli have made a series of acquisitions which, up until very recently, hadn’t made any sense to me at all. However, with the release of BLOCKS things start to come into focus a lot more. For example, Roli acquired JUCE back in late 2014. JUCE is a cross-platform C++ library used in a lot of music apps. This gave Roli a real advantage in building the iOS apps that they have on the store now. But JUCE isn’t something that they’re keeping to themselves. Roli have an annual JUCE event, The Audio Developers Conference. The last of these was held at the beginning of November and had around 250 delegates attending.

Just under a year later Roli acquired Blend.io, a collaborative music network which allows artists to share work and involve other artists in tracks. This of course gives Roli its own platform for sharing and collaboration.

Finally, and most recently Roli acquired FXpansion, makers of very high quality VST instruments and FX. Given the above and also Roli’s direction with BLOCKS this makes perfect sense.

When you connect all of these pieces together with their existing technology that powers the Seaboard it all starts to fit together, and when you get to use BLOCKS you can see exactly where this is heading.

From Seaboard to Noise

Just over a year ago Roli brought out their first app, NOISE 5D which enabled a user to take advantage of the brand new 3D Touch features in the iPhone 6S and 6S+. Releasing this as a free app gave Roli a great platform to show just what could be done with this kind of expressive technology.

The app also had the whole Seaboard sound engine (Equator) inside it. The app could pair with the Seaboard Rise using BLE and worked like a dream.

As an aside I’m still somewhat confused as to why more apps don’t make use of the 3D Touch functionality inside the 6S and up. It’s confused me for about a year now and as far as I know there are only a tiny handful of apps that have incorporated it, and two of those are from Roli themselves.

Let’s talk about BLOCKS itself

If you’ve seen photos or video of BLOCKS then you’ll already know that it’s a modular music studio that uses the same hardware technology that is in Roli’s Seabaord but in a smaller, more accessible, and affordable format. The basic hardware unit is the Lightpad which retails for £170. You can do a lot with just this unit, but of course you can scale up too, add more units and expand your set up. That’s the idea of course, and I think that when artists start to get to grips with the hardware they may well just do that. Whatever you buy you’re going to use their iOS app NOISE as that is what powers this stuff.

The Lightpad does just about everything that you can do in the app but with a much deeper layer of expression available to it by virtue of its pressure sensitive surface. The interaction with the app is seamless. When you press down on the Lightpad you can see what happens in the NOISE app. You can see what I mean in this short clip which shows the ‘learn’ function.

Every instrument in NOISE has a learn mode which shows you what the instrument does and how it works. When you’re running NOISE with a Lightpad this works even better, and as you can see from this short clip you can quite clearly see what you’re doing on the Lightpad from your iOS screen, and this includes pressure data too.

The Lightpad is paired directly with the iOS device, and pairs quickly and without issues, which is more than I can say for other BLE devices I’ve used. However, when you have two Lightpad units together you don’t need to form a second pairing (although you can and I’ll explain that later).

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Above you can see two Lightpads working together with the iOS device. When you magnetically clip one lightpad to another the connect over what Roli call DNA connectors. You can see these connectors around the sides of the device, and clipping them together means that are instantly sharing data and useable as a part of your set up. The connection to the iOS device is made via a single BLE pairing.

If you wanted to use multiple Lightpads over different pairings that is possible too, but the point I’m making is that you don’t need to worry about that if you’re working on something on your own. This makes for very flexible hardware configurations.

Some thoughts …

I have to say that the time I’ve spent playing with BLOCKS has been really enjoyable, and I think that the main reason for that is the level of expression that you can achieve with the surface. For many, myself included, having this degree of expressivity from a mobile device / set up will be quite a new experience, and I think that this is something that will distinguish BLOCKS for users.

It’s important to remember that Roli has only just released BLOCKS. It is perhaps a month old now, and in many ways is only at the start of its journey. Roli have made a very good start with the hardware, with the app, and, most importantly, with how the two work together. Which is critical in my opinion.

What’s next

When I was with Roli last week we did talk about the future. Of course they were cautious about talking future plans. That’s understandable. But we also talked about the community and how they’re responding to users. I think that the fact that they brought the original NOISE functionality back in a new app (see this post) can only be taken as a clear signal that they are listening, and that’s very positive.

They also have an API for BLOCKS, which I haven’t investigated so far, but could be a massive hook to increase adoption of the platform. More about that another time I think. For now I’m impressed with what Roli have brought out. It really is an accessible and affordable music platform. I think that Roli have made an excellent start. Where they go next with BLOCKS and with NOISE will be critical to making it a big success.

0 comments on “Aftertouch • 3D MIDI Controller arrives to join the small group of apps that use 3D touch”

Aftertouch • 3D MIDI Controller arrives to join the small group of apps that use 3D touch

I have to say that there haven’t been many music apps that have made use of the possibilities that 3D touch provides. In fact I can think of only a handful aside from Aftertouch • 3D MIDI Controller. The most obvious that comes to mind is Roli’s Seaboard 5D app, but also Ferrite Recording Studio.

I have to admit that I thought that 3D touch would be much bigger for music apps and I’m still slightly confused as to why it hasn’t been embraced in quite the way I’d envisaged. Anyway, enough of that for now, perhaps Aftertouch will change the way that not only users, but also other developers see 3D touch.

Here’s what to expect from the app:

Aftertouch unlocks the musical potential of 3D Touch, turning your iPhone into a velocity and pressure sensitive MIDI controller.

Aftertouch sends MIDI note and control data to other apps, or to external hardware via the Camera Connection Kit or via Bluetooth MIDI. It also includes a built-in synthesizer so you can start making music immediately.

GRID FEATURES

  • Configurable grid dimensions and musical intervals between rows and columns
  • Configurable note display format (MIDI note number, musical pitch, or a combination of both)
  • Easy-access transposition buttons to move the grid by a semitone or an octave

MIDI FEATURES

  • Selectable MIDI output: choose between virtual MIDI destinations (other apps), hardware USB MIDI connections (via the Camera Connection Kit), or Bluetooth MIDI devices
  • Selectable MIDI Channel, or MPE (Multi-dimensional Polyphonic Expression)
  • Configurable CC outputs for X, Y, and Z axis finger movement (with support for Pitch Bend in the X axis, and Channel or Polyphonic pressure in the Z axis)

OTHER FEATURES

  • Built-in phase modulation synthesizer exhibits the default expression settings
  • Velocity curve editor for fine-tuning the velocity- and pressure-sensitivity to your musical style
  • Use the full screen to set the range of control parameters, or constrain them to only respond to movement within a single pad.

NOTE: Z-axis support is only available on devices with 3D Touch. Other devices still send X and Y axis data, and send a fixed note-on velocity value.

2 comments on “Roli reacts to app users and brings back original Noise functionality in a new app”

Roli reacts to app users and brings back original Noise functionality in a new app

This is when you know that users matter and that developers listen. Roli is one such developer and they’ve done what lots of you have been asking for, bringing back what was lost from their Noise app. They’ve put it out in a new app called SEABOARD 5D. Here are all the details:

SEABOARD 5D: THE iPHONE and iPAD LIKE YOU’VE NEVER HEARD THEM BEFORE

Seaboard 5D unlocks the extraordinary potential of your iOS device as a touch-responsive surface for making music. It recreates the expressive possibilities of the Seaboard RISE, the award-winning instrument from ROLI. Shape sounds on-screen through the Five Dimensions of Touch: Strike, Glide, Slide, Press and Lift. You’ll discover the power and fun of Seaboard 5D as soon as you touch the screen. Seaboard 5D not only turns your iOS device into a powerfully expressive musical instrument, it is also the ultimate portable sound engine for your favorite MIDI controller.

ADD NEW DIMENSIONS
Play a gentle woodwind melody, a rich textured pad or a killer synth lead. Players of any ability can pick up Seaboard 5D, make some tunes — and put the instrument back in their pockets.

The unique playing surface of Seaboard 5D is laid out like a piano keyboard from the future. Instead of white and black piano keys you now have a continuous set of “keywaves” — just like the Seaboard RISE. You can bend the pitch by gliding your fingers from side to side, modulate a sound by moving up and down a keywave, and — on the iPhone 6s and iPhone 7 — deepen sounds by pressing into the surface. You can create an astonishing variety of sounds and effects through the Five Dimensions of Touch.

FIND YOUR SOUND
Seaboard 5D comes with the Fundamentals Soundpack, which offers 25 diverse, custom-crafted sounds. Polyrhythmic Loops morphs as you play up and down the keywaves. Breath Flute lets you simulate breath control on a wind instrument through pressure. Smoky Rhodes is a cool, modern reinterpretation of the Fender Rhodes.
Expand your collection with additional Soundpacks. Hybrid Acoustic comes with over 500MB of unique samples. Expressive Electronic includes both vintage synths and contemporary pads. Synthetic Leads is for when you really just need to shred!

POWER YOUR KIT
Seaboard 5D is also the ultimate mobile sound engine for a range of MIDI controllers. Using MIDI over Bluetooth, the app lets you make music wirelessly — with just a mobile device and a MIDI controller — wherever you want.
It is also one of the first apps with MPE (Multidimensional Polyphonic Expression) Mode, and it works plug-and-play with any MPE-compatible controller.
To get the most out of Seaboard 5D, try it with our own Seaboard RISE, the multi-award-winning MIDI controller hailed as “the future of the keyboard” (MusicRadar). The Seaboard RISE and Seaboard 5D are the ultimate tools for making music on the go.

THE WORLD OF ROLI
At ROLI, we are creating a set of connected tools for modern music creation. The Seaboard RISE, Seaboard GRAND, and ROLI BLOCKS are part of our family of beautifully designed, technologically cutting-edge products. Learn more at www.roli.com.

KEY FEATURES

  • Tweak your sounds with onscreen macro controls and XY Touchpad
  • Vary the size of the onscreen keywave surface to suit your screen and preferences
  • Octave shift buttons and an onscreen sustain pedal add depth to real-time performance
  • Control Five Dimensions of Touch: Strike, Press, Glide, Slide and Lift
  • Purchase Soundpacks in-app and build your collection of sounds
  • Recreate the Seaboard RISE experience on the iPhone 6s and make the most of its new 3D Touch feature

MINIMUM REQUIREMENTS
Seaboard 5D is designed for:

  • iPhone 5c and above
  • iPad Pro
  • iPad Air 2 and above
  • iPad Mini 2 and above
  • Please note that while Seaboard 5D works well as a sound engine on all supported iPhones and iPads, you will only be able to use all of the Five Dimensions of Touch with an iPhone 6s or iPhone 7

Seaboard 5D from Roli is free on the app store with IAPs, many of which are free: