0 comments on “Why Mobile Music is important (part 1)”

Why Mobile Music is important (part 1)

I wanted to spend some time in May taking a deeper look into a range of topics around mobile music. I think that there are a lot of questions that warrant more time and investigation, and so often we don’t get the chance to do that.

To start with I want to ask, and hopefully answer, this question.

Why is mobile music important?”

You might think that the answer to that question is self evident, and you might wonder why someone who’s been involved in mobile music for the last 8 years (or probably a lot longer actually) would ask something like this.

The reason that I think it’s important to ask this is because it is fundamental to the ongoing expansion of the community and to getting some perspective in terms of why anyone should start down the route of making music on a mobile device.

Being able to answer this question gives us the ability to continually push the mobile agenda and become a real voice for change in the music tools industry. Of course, you could argue that this has been done. You could say that where we are today reflects the fact that the argument has already been won. However, I’d say that this is an argument that we’re going to continue to face for a long time to come.

There are also those who might state that there is no longer any such thing as mobile music anyway. That the distinction itself is no longer valid. I did in fact hear that from someone in the academic community not so long ago. It’s a point worth considering. However, for the most part, I think we still face a lot of the “it’s just a toy” or “it’s only a fad” treatment that was characteristic five years ago and long before that, and, to be fair, back then it was largely true.

But now, in 2014, I firmly believe that it’s a different story. The question is, why and how do you get people to accept it as a fact?

You could answer that in a number of different ways. Proving something like this isn’t always about numbers (although numbers is something that we need to deal with at some point, and I think I might tackle that separately).

In fact when you start to look at the dimensions of this question it is actually pretty huge and in many ways there is only one place from which you can answer the question, and that place is in hindsight. So perhaps a better question would be:

“What would the music making world look like if we were sitting, ten years from now, looking back at 2014 and saying, yes, that’s when it was obvious that mobile had taken a real hold.”

If we could answer that, if we could say what that looked like then I think we’d be well on the way to understanding what needs to change in order that mobile can get the kind of recognition it needs and deserves, and along the way we may even answer some of the questions that John from the Music App Blog poses in his piece about iOS not being mainstream.

Over this month I’ll be asking a lot of questions, and raising issues that I think are important and that require a bit more time and thought. I hope you’ll find it as interesting a journey as I do.

0 comments on “Palm Sounds at 8: A big thank you to One Red Dog Media”

Palm Sounds at 8: A big thank you to One Red Dog Media

It goes without saying that I was really pleased to have One Red Dog Media’s excellent apps as the ones to start out this month long celebration of Palm Sounds being around for 8 years now.

One Red Dog have brought us consistently high quality apps for the iPad from the very first, Molten Drum Machine which caught everyone’s attention.

Then Arctic Keys came along, a superb synth app with loads of potential for sound design.

This was followed up, last year by the excellent Arctic ProSynth.

It’s been great to have One Red Dog’s apps as the first celebratory sale for this May. I hope you picked up a bargain, and I hope we see more great things from One Red Dog in the not too distant future.

This is just day one of our celebrations for Palm Sounds 8th birthday. Tomorrow we have more cool stuff, so stay tuned, and once again, a massive thank you to One Red Dog.

0 comments on “Arctic ProSynth is 80% off today, take a look at the app’s Arpeggiator and Filters Overview”

Arctic ProSynth is 80% off today, take a look at the app’s Arpeggiator and Filters Overview

0 comments on “Audio Mastering for iPad v. 2.5 (video)”

Audio Mastering for iPad v. 2.5 (video)

0 comments on “Arctic ProSynth is 80% off today, take a look at the app’s Sequencer Overview”

Arctic ProSynth is 80% off today, take a look at the app’s Sequencer Overview

0 comments on “More info on iMPC Pro”

More info on iMPC Pro

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0 comments on “MultiTrack DAW adds IAA instrument support”

MultiTrack DAW adds IAA instrument support

This version adds IAA Instrument support for inputs.

0 comments on “Arctic ProSynth on sale today, 80% off, just to celebrate Palm Sounds turning 8 in May”

Arctic ProSynth on sale today, 80% off, just to celebrate Palm Sounds turning 8 in May

In case you missed it from earlier our birthday sales are underway with a great synth app. Arctic ProSynth is on sale today only, with 80% off! The price is down to $1.99, just for today!

0 comments on “Oplab 05: Human Rhythm Composer (video)”

Oplab 05: Human Rhythm Composer (video)

OP-1s (on eBay)

0 comments on “Audio Mastering 2.5 arrives”

Audio Mastering 2.5 arrives

Audio Mastering 2.5 is here. This is what’s new:

  • New spectrum analyzer mode – continuous line.
  • Get max, snapshot and compare spectrums.
  • Applying part of preset and combine settings from different presets.
  • Comparison A / B with setting the equal loudness.
  • Peak and time markers on compressor signals graph.
  • Built-in description updated.